Rainbow squares

If you were a member way back when, you may have stitched one of these ‘Rainbow Squares’. It was a regional project where individual members of each group embroidered a square in the colour allocated to their group. They were then assembled in ‘chains’ and hung alongside the different colours from the other groups. You might like to know that they have been gathered together again, and exhibited at the Guildford House Gallery in Guildford (ours are the dark green ones). I saw them all together once a few years ago, and they look amazing in real life. You can see them there from today until to June 15th. It’s a long way to go, but Guildford is a nice place for shopping and a day out. Apologies for the quality of the photos (they lost quality through being emailed to me).

Textile treasures at Worthing museum

Victorian crazy-patchwork quilt.

What a delightful morning we had at Worthing museum, enjoying a ‘show and tell’ session with Gerry Connelly, Head of Museums and Exhibitions. Gerry started his career in fashion design, before specialising in the History of Fashion. Gerry was the perfect person to show us some of the wonderful items that are owned by the museum but are not usually out on display.

Gerry started by showing us the oldest item in the collection, a blackwork jacket dating from 1610. It’s amazing that it is so well preserved.

We had a wonderful range of items to look at closely, and it’s lovely to see them without the reflections that you get when they’re behind glass. A couple of Elizabethan dress items: a fragment of embroidery that was probably originally on a jacket, and an embroidered glove that was probably given as a symbolic gift rather than for regular use, although it was interesting to see the signs of wear on the underneath.

Fragment of Elizabethan embroidery, probably from a jacket.

Elizabethan ceremonial glove with metal thread embroidery.
Detail of metal thread work on glove.

We saw a stunning embroidered waitcoat that could have come straight out of ‘The Tailor of Gloucester’ story, with stitching so fine that it could well have been stitched by mice.

It was lovely to have time to study the details, and we could have happily stayed there all day.

Gerry brought out an embroidery called ‘The Warwick Street Embroidery’, which was stitched by our group in 2004. We had searched for it and no-one was sure where it was, but we were delighted to see that it is in the safe care of the museum. The embroidery was created by cutting up a historic photograph of Warwick Street, and distributing the cut-up rectangles to individual members to stitch. It was then re-assembled to re-create the picture. The names of the individual embroiderers were stitched on the back.

The Warwick Street Embroidery
The contributors to The Warwick Street Embroidery.

Lunch together afterwards was a lovely way to end the visit. Thanks to Chris for organising it all.

 

 

Grass doesn’t have to be green…

The hall was full for our talk this month by Wendy Dolan. Wendy is well known to many of our members; she is a go-to tutor for machine embroidery courses in our area, and there were many of her current and former students in the audience. There were quite a few new visitors who came along specifically to hear Wendy’s talk.

Before focussing on her inspirations and techniques, Wendy touched on some of the highlights of her textile journey. Starting as a child with cross-stitch and dressmaking, she was then taught traditional hand embroidery by a local embroiderer after school. This led her to a B.Ed. degree in art and textiles, where she was introduced to free-machine embroidery. One thing led to another, and she has had a varied and successful career in textile art and teaching ever since. She shared some highlights, including making two enormous curtains for cruise ships, exhibiting internationally, publishing articles and books, and showing her work and leading workshops at all the big textiles shows.

Wendy described some of her sources of inspiration, which include landscape, architecture (doors, windows, arches, tiles, columns, spires, domes etc. ), people, fashion, nature (flowers, trees, lichens etc.), museums, maps, travel and many more. Some are consciously recorded with photos and sketches, and others are absorbed more subconsciously. She spoke about looking more closely at the details and textures, and focussing on particular areas of a picture.

Wendy brought samples with her that show the different stages that her work goes through, starting with un-dyed fabrics, pinned into place and then stitched down in white. Then a rough colour experiment is done with collaged paper and paint, and this is used as a guide for adding colour to the fabric with water-based fabric paint.  Additional texture might be added with Xpandaprint (puff paint), fresco flakes, and horticultural fleece which irons onto the fabric and resists dyes (and makes good clouds). After that, more detail is added with the sewing machine.

Fragments of maps may be added by using an inkjet printer on fabric, ironing it temporarily onto freezer paper and taping the top with masking tape so that it will go through without wrinkling (Wendy recommends that if you share a printer with someone else, you wait until that person is out of the house so they don’t see what you are doing!) This method of printing is colour-fast if the fabric is first treated with Bubblejet 2000 solution, or you can buy ready-made fabric transfer sheets for the printer. All very useful information!

 

Wendy likes to play with colour: sometimes she makes a very natural-looking landscape, and at other times she likes to play around with the colour-range, encouraging people to move away from restrictions such as thinking that grass must always be green.

Wendy had just come back from leading a specialist textiles trip to India. She showed us some lovely samples that were inspired by those trips. If anyone is interested in trying these, or any other of Wendy’s techniques, you can find details of workshops on her website: https://www.wendydolan.co.uk/

 

Strawberry brooch

What a lovely relaxing day at our monthly meeting, which this month was a sit-and-stitch afternoon. Speakers are interesting and stimulating, but sometimes it’s also good to have time to catch up with people and stitch in company. Daphne kindly led a ‘Stitch Corner’ session, making strawberry brooches. Scroll down for some photos of the group working on their brooches, and at the end a finished one that was stitched by Michelle.

Michelle showing her finished brooch

Ramster Embroidery Exhibition

This exhibition is coming up soon. It’s in Ramster Hall, a lovely 17th Century manor house in Surrey. The exhibition will be open from Friday March 1st until Sunday March 17th every day from 10 am until 5pm. The tea room will be open at the same time. There are two large halls of embroidery / textile art exhibits, with a wide variety of styles. I know of 6 SCS members who are taking part. It’s a good day out, and the cakes are good!

Quilts and machine embroidery

Gail Lawther with her quilt of Queen Elizabeth 1 and Queen Elizabeth 2.

We had a great talk yesterday by Gail Lawther. There’s a description of it on our FB page, so I won’t duplicate that here. Gail didn’t want her work photographed (sadly, people sometimes steal other people’s designs) so this month I can’t post any photos here, except for this one that she kindly let Chris take. Gail is running a workshop for us on 15th March, making wall-quilts based on ‘twilight silhouettes’. There are still a few places available, although it is booking up fast so talk to a committee member if you would like to book a place.

Twilight Silhouettes

Several members have said to me recently that they don’t feel confident going on workshops that involve the sewing machine. If you want a gentle introduction to machine embroidery, Esther Collins is starting a new course near Pulborough (not too far from sunny Worthing) where she will start with the basics and take you through it step by step. It’s six evenings in February and March. It should give you the confidence to join other workshops such as the one by Gail Lawther above. Details in the link below.

https://www.esthercollins.co.uk/workshops?utm_campaign=dcb49fc2-65a3-4439-81ab-9a16aab0812e&utm_source=so&utm_medium=mail&cid=44369027-b19e-4bee-8192-80108fdb541d

Christmas with a Swiss theme

Our December meeting was a ‘sit and sew’ afternoon. There was lots going on; there was a pop-up exhibition of Swiss-themed embroidery, and Swiss-themed cakes and biscuits, as well as ‘Stitch Corner’ where Daphne kindly showed members how to create a stump-work strawberry brooch. I took lots of photos of people stitching, but none of the strawberries so if someone would like to send me a strawberry photo then I will add it.

There were lots of wonderful entries to the ‘Visions of Switzerland’ pop-up exhibition. This was in celebration of the life of SCS member Viviane Proyer, long-standing member, accomplished embroiderer, and friend to many. An earlier post here includes an account of Viviane learning to sew in Switzerland as a child. You can read it by clicking the link here. There were lots of entries, and some very varied images and techniques. There was even a fully-functioning felted cow-bell! I’ll let the images speak for themselves; scroll down to see some lovely and imaginative work.

The Korean art of Bojagi

Sara Cook

We had a fascinating talk this month by Sara Cook, on the Korean art of Bojagi. Sara is a quilter, tutor and quilting judge, who was drawn to this specialist technique after seeing an exhibition of Korean textiles. She was already an experienced quilter, and this particular technique caught her imagination straight away – so much so that she booked a trip to the Korean Bojagi Forum in 2016 (in Korea) to study it first-hand. Since then she has developed her own interpretation of this ancient technique and has taught the subject all over the world.

Work by Sara Cook

Bojagi originates from the art of wrapping, both for practical/functional reasons and also for decorative reasons such as giving presents. It was used for every-day use such as food storage, sometimes waxed to seal the food and keep it fresh. It was also used to store personal belongings, since space was at a premium and homes were cleared of personal items when they weren’t in use. Thicker layered cloths were made for warmth, usually from silk as it is warm in winter and cool in summer. Functional items could also be very decorative, like the heavily stitched thumbles below (the second photo is a thimble-making kit that you can buy via Sara’s website)

Kit by Sara Cook

Sara spoke about the role of women in traditional Korean society. Women were expected to obey firstly their father, secondly their husband, and thirdly their son. Education was not permitted, and women could not leave the house without a male escort. When a woman married, she would leave her family home and would probably never see her family again, so the cloths made with her mother and sisters may have had particular significance in her new home. The giving of gifts was highly symbolic: for example ducks and geese, with blue and red to symbolise yin and yang.

By Sara Cook

Korean cultural traditions changed significantly since occupation and the war years. The position of women has improved, but alongside that there ha been concern about losing cultural traditions as society modernises. Korea introduced an innovative cultural heritage programme. People with  traditional skills are appointed as ‘national treasures’ and are given subsidised studios that enabled them to pass on their skills. This has led to techniques such as Bojagi being kept alive across the world. Sara has developed her own style of work using traditional Bojagi techniques. It involves a very particular and precise type of seam, and is worked to be hung against the light so that it’s translucent qualities are shown off to best advantage. You can see more of her work on her website at https://bojagiuk.com/