News

A few SCS members are taking part in a pop-up exhibition at Findon Place this Sunday (17th) during their charity open-afternoon for the National Gardens Scheme. The entry fee to the garden (£7.00) goes to the charities that are supported by the NGS, which include Macmillan’s and Hospice UK amongst others. It will be a good day out – there are lovely gardens to see, and cream teas, and the weather forecast it good. If you’d like to come, you need to pre-book via a link on the NGS website – see below. It’s open from 2pm to 5pm. There are directions on the NGS website (it’s on the west side of the A24, the other side of the road from the village, near the Church).

https://findagarden.ngs.org.uk/garden/42135/findon-place

Embroidery of Gujarat

In our July meeting we had a fascinating talk by Helen Sill about the embroidery and weaving of Gujarat. Helen has been leading specialist embroidery tours to many parts of the world, including many different areas of India. She touched on some of her other travels, for example to Uzbekistan, and then focussed on Gujarat. Before that, she mentioned some of her own work. There are a few examples of her sketches below, followed by photos of some of the very extensive collection of embroideries and weavings from Gujarat that she brought with her.

Sketch by Helen
Sketch by Helen
Sketch by Helen
Concertina book by Helen
Mutwa embroidery. This densely worked embroidery is by the Mutwa people, who migrated from Sindh to Bannin in the Rann of Kutch.
Tangaliya weaving, by the Dangasia community in Surendranagar district. Tiny dots of extra weft are twisted round a number of warp threads, so that they end up looking like beads.
Banjara embroidery. The Banjara community are descended from nomadic gypsies, whose communities spread across Gujarat and elsewhere across India
Jat Gararasia. A technique that includes tiny mirrors. No outline is drawn on the fabric for this technique: the designs are all done by memory and by counting threads.
Jat Gararasia (with detail showing how tiny the mirrors are)

 

Exhibitions at Colonnade House

There are two exhibitions coming up at Colonnade House that SCS members are taking part in. Lindsay Viljoen and Jane Robinson are taking part in ‘Fringe and Fibres’ from 17th June to 21st June. Julia Brown and Jane Dahill are taking part in ‘Five Ways to See’ from 24th June to 29th June. It’s good to see the encouragement for textile art from Colonnade House.

https://colonnadehouse.co.uk/event/fringe-fibres/

https://colonnadehouse.co.uk/event/5-ways-to-see/

Showcase a member- Carol Dengate.

After a bit of a delay, here are the photos of Carol Dengate’s beautiful work that she showed us in our March meeting. ‘Showcase a member’ started as a new addition to our programme a couple of years ago. It’s an opportunity for an individual member to put on a ‘pop-up show’ of their work during a sit-and-sew afternoon, without the added stress of doing a talk or entering a more formal exhibition. It’s a great tradition that I hope will continue in the future. Some of our members exhibit and sell work, many give embroideries as presents, and some have work on their walls at home. But we also have cupboards bursting with embroidery that is hidden away in cupboards and never sees the light of day. ‘Showcase a member’ is a good opportunity to see how one person’s work has changed and developed over the years.

Carol’s pop-up show was a great example of this. She showed work from her City and Guilds Patchwork and Quilting course, including samples and sketchbooks. The thumbnail pictures here are from a book of samples of quilting techniques.

 

 

 

 

 

 

 

 

 

 

 

 

 

An example page from a C&G sketchbook

 

One piece to highlight is the miniature quilt (below) which earned a ‘Highly Commended’ at the Festival of Quilts. The miniature quilt category is all about a design ‘shrunk’ to a miniature scale, but without losing the quality and detail that you would have in a bigger quilt. I think the purse below also won an accolade at the Festival of Quilts.

Carol’s work spans a wide range of techniques, including patchwork and quilting, hand-stitch and machine embroidery. What a lovely combination of delicate stitching with confident design and colour. Scroll down for some examples below. Thank you for sharing your work with us Carol.

Exhibition coming up

SCS member Liz Ganney will be taking part in this exhibition in Brighton in May. It sounds like a very varied and interesting collection, so let’s all go along and support this new exhibiting group.

MOVING NEEDLE GROUP –  TEXTILE ART EXHIBITION  –  WHAT LIES BENEATH

The Moving Needle Group exhibition on 12th – 18th May at the Fishing Quarter Gallery, on Brighton seafront.  They are a group of textile artists that formed after doing their City & Guilds courses in Brighton together.  The Exhibition is titled ‘What Lies Beneath’ and each participant explored what that meant to them in textile terms.  This has resulted in a wide variety of approaches and so you will see many different techniques on display, from self-portraiture to 3D vessels, to finely embroidered or weaved small pieces to larger scale panels.  Some of the work will be for sale and others are just for exhibition.  The exhibition will be open from 11.00am to 5.00pm each day.

 

What a great talk we had this month by Alison Hulme. Alison kept us riveted right from her opening remarks and then throughout her life history. An infectious sense of humour had everyone laughing. This helped to give a light touch when recounting a life history that has had plenty of ‘ups’ and also some ‘downs’. Earlier life included hairdressing, single parenting, housekeeping, waitressing, cooking, Ideal Home demos, cattle auctions and much more. Alison spoke about stitch and textile art in the context of her life’s journey, and the place that art has had in general wellbeing. There is a colourful joyfulness in her work that is a pleasure to see.

Alison’s first step into stitching came from a tiny cross-stitch kit that she bought from Hobbycraft, which she bought at a time of great stress and crisis in her life. Something about the repetitive act of stitching was very soothing and comforting, and it gradually became all-consuming. Eventually it led to joining Salisbury Embroiderers Guild and then enrolling on a City and  Guilds course in Fareham.

She really found her element in the City and Guilds courses. The two pieces above were City and Guilds assessed pieces, which she would never sell in a million years. Stitch became an all-consuming obsession.

She became interested in doing a textiles degree, and part of looking into that was undergoing a dyslexia assessment, the results of which helped to make sense of some of some past issues. The piece above was a direct challenge to herself, where she used text as a kind of affirmation and statement to the world; ‘I is for Intelligent which I am. A is for Alison which I can spell’. Another major theme for the degree course was ‘voyerism’, for which she incorporated stitched images of her husband naked, as well as an installation that she called ‘What the butler saw’. During the course, Alison discovered screen-printing, and this led to her developing her trademark ‘pinnies’ in glorious colours.

After the degree course, Alison has been involved in Open Studios, Art in Action with Art VanGo, as well as talks and demos at the big shows. More recently, Alison has moved back to her home village, and takes part in Open Studios there.

The audience appreciated this stimulating and varied talk, which was full of surprises. Scroll through the photos to see some of the work that Alison brought with her to illustrate her talk.

 

 

Beside the Sesaside

Made by Alison Moore

I was sorry to miss the pop-up exhibition on the theme of ‘Beside the Seaside’ that was held at our December meeting. Thank you to Lindsay who has shared some photos of the wonderful work that was on display. I think there were 40 or so entries, and it’s clear from the photos that the theme caught people’s imagination. What a wonderful variety of ideas, techniques and designs, which ranged from traditional blackwork to quilted hangings, machine embroidery, hand-stitch, mixed media and 3D vessels. There were also some quirky pictorial ones including the charming seagull at the beginning of this post. He’s so endearing that I might forgive him if he stole my chips! Without more ado, here are some photos for you to look through, and see what we all get up to.

Stitched by Sue P., from a course with Izzy Moore
Lesley Payne, inspired by her family walking on the beach.
Stitched by Viv Scrase, on a workshop with Esther Collins
Jan Aitchison
Jan Aitchison
Jenny King