There was a great turn-out for the Christmas meeting, and it was a lovely afternoon of chat, stitch and cake. Highlight of the afternoon was viewing the results of the ‘Take Two’ challenge (reminder: the challenge was to stitch a piece to be presented on a pre-set canvas size, using only two colours). There was a grand total of 43 entries, and everyone was impressed by the variety and quality of the work. Entries included a wide range of modern, traditional, hand-stitch, machine-stitch etc., and it really reminded us all what a varied group of stitchers we are. The £1 per vote charge raised £76 for the Air Ambulance.
Here are a few of the entries, with people studying them and trying to decide which to vote for. You can see the winning entries below that. At a later date, I’ll put up an image of each entry – that will take a little longer, so I wanted to get the winning ones up sooner rather than later.
This month’s wonderful talk by Michelle Carragher gave us a fascinating insight into the world of embroidery and costume design for stage and film. The samples of work that Michelle brought with her were a feast for the eyes, and were a wonderful inspiration to us all. Michelle kindly let us photograph some of her work to show on our website. The ‘oohs and ahs’ round Michelle’s sample table after the talk said it all, as well as the length of time that people spent gazing at the work.
Michelle talked us through her early introduction to embroidery, from making childhood dolls clothes to a Fashion Design course and then textiles restoration. Restoration work gave her the experience of working quickly and sourcing specialist fabrics and threads. Quite often the piece was too frail to put into an embroidery hoop, so she developed skills in working on un-stretched backgrounds, which was invaluable later on when she worked on fine net and muslin, like the stitch sample on the left.
Initially her work on costume embroidery was on amateur productions and then as an intern on bigger films. Her first breakthrough came when she worked for Costume Designer Mike O’Neill, who spotted her talent as an embroiderer and gave her scope for stitched details. She graduated from washing the actor’s socks, to being an integral member of the costume design and making teams.
Michelle gave us a fascinating insight into how the costume designer and embroiderer and director work together on an initial concept, through designs and samples to finished item. Anyone who has done City and Guilds Embroidery courses will appreciate the detailed sketches and samples that Michelle brings with her to talks. The samples here were for an elegant Edwardian dress for the film about Gertrude Bell.
The samples below that were initial ideas for a dress made for Queen Elizabeth I, played by Helen Mirren, which was inspired by traditional embroidery of the time. We learned about the painstaking historical research and attention to detail. It is a labour of love; for example, one dress had 350 hand-stitched embroidered roses stitched onto the train. We learned about how roughly these delicate embroideries may be treated, for example if they are in scenes of violence they may get torn or covered in blood. For this reason, some costumes require duplicate sets – sometimes as many as eight. This brought home the importance of the sampling process, and documenting each stage. We also heard about unpredictable aspects of this work; we saw a photo of exquisite embroidery on the neck of a dress for a historical drama, and then we saw the only shot in which it appears – shot from behind, with the actress fleeing away from the camera on a horse, with no sign of the embroidery.
Of course, Michelle is now infamous for the amazing embroidery that she created on the costumes designed with Michelle Clacton for Game of Thrones. She showed us many samples, together with photos of the finished garments ‘in action’. We were in awe of the creative designs, and the interpretations of fantasy ideas, and the inspired use of beads, gemstones, sequins, metal threads, stumpwork, ribbon work etc. Due to the high speed of production on a series like this, many embroideries were created as ‘slips’ on a separate piece of material and then applied to the garment later on, much like the embroidered embellishment of earlier centuries.
Michelle runs workshops, and anyone who got to see the exhibition this week by Dorking Embroiderers Guild will have seen their collection of fantasy beetles created on a workshop with Michelle recently. This photo doesn’t do Michelle’s creature justice, but wouldn’t a workshop be wonderful! Thanks to Michelle for a really inspiring talk. We learned that she is working on a book – what a treat that will be when it comes out. I already know in June what I’d like for Christmas!
It often strikes me what a lovely overlap there is between gardening and embroidery. It’s the month for wandering round beautiful gardens, smelling the roses and soaking up inspiration for our stitching.
‘It is the month of June,
The month of leaves and roses,
When pleasant sights salute the eyes
And pleasant scents the noses’.
(Nathanial Parker Willis)
If you read this in time, there are still 4 days when you can catch the lovely exhibition of embroidery at Nymans Gardens by Dorking EG Branch, in which all the work is based on the flowers and plants of Nymans. It’s open until Friday 14th; if you read this in time, it’s well worth the trip so do try to go. It’s the perfect month to visit the Nymans rose garden too.
Our most recent meeting was our ‘Members Day’ when we spent the whole day together chatting and stitching, and sharing lunch. We had a wonderful talk by Eileen Blaney on the history of the branch. Eileen has very kindly agreed to write up the notes for her talk so that it can be added properly to the website, together with photos, so I won’t try to summarise her talk here. ‘Watch this space’ as they say! Many thanks Eileen for a very interesting and entertaining talk.